The Long Way West is about something that does not yet exist but can nevertheless possess real emotional value: the future.
Human beings live partly in anticipation.
We save money for a trip. We imagine grandchildren older than they are today. We picture retirement mornings, future anniversaries, unfinished projects and ourselves aging beside someone we love.
None of these events has happened.
Yet they influence present choices.
The future therefore enters the marriage long before it arrives.
After decades of successfully building together, husband and wife naturally assume that they will continue doing so. This is not childish immortality. They know that bodies age and life is finite.
But they also have evidence.
They built yesterday.
They are together today.
So they project themselves into tomorrow.
The phrase “we will” becomes one of the album's most important pieces of language.
It contains confidence, partnership and joint authorship.
And notice what kind of future they imagine. It is not endless luxury or dramatic achievement.
Much of what they want is more ordinary life.
Coffee without a work clock. A road with time to wander. Familiar arguments about temperature. Family milestones. Kissing with older bodies. Hearing the other's laughter down another hallway.
That makes the future believable enough to become emotionally real.
This song therefore performs crucial work for what comes later.
Before a future can be lost, we must possess it in imagination.
But The Long Way West itself knows nothing about that.
The map is still open.
The road is still ahead.
And two words feel completely natural:
We will.
We live partly in the future long before we arrive there. The journey not yet taken, the older spouse we expect beside us, the grandchildren at another age and the mornings we assume are ahead already influence what we save, build and hope for today. The answer is neither to distrust tomorrow nor sacrifice today to it, but to build for the future while remembering that only the present can actually be lived.