Where Tomorrow Used To Be explores a kind of grief that can begin before a person dies.
A shared future is partly imaginary, but that does not make it meaningless.
The couple had already invested in possibilities: the road west, family milestones, aging together, familiar arguments twenty years from now, ordinary mornings in older bodies.
Those events had not occurred. But the expectations were real.
They influenced saving, planning, conversation and happiness. The couple had already begun psychologically inhabiting that future.
Now some of it is being taken away.
This is why the grammatical change from “we will” to “we would have” carries such force.
Nothing mystical has vanished. What has been lost is possibility.
The older versions of themselves they expected to become will probably never exist.
That is a legitimate object of grief.
The album makes an important distinction here between mourning what will not happen and treating the living woman as though she is already absent.
She is not. There are still two coffees. Their fingers still meet. They can still laugh. They can still create another memory.
So the song allows them to grieve the road they may never travel while also returning them to the room they still possess.
That is one of grief's hardest disciplines: allowing a real loss to be real without letting it consume every remaining value.
They cannot repair the unavailable years.
They cannot negotiate with the disease until the future becomes fair again.
But neither must they sacrifice the living present as payment for the future they have lost.
They refold the map. Their hands touch. Tomorrow has narrowed. Today has not vanished.
We can grieve something that never happened because an expected future can already become part of the life we are living now. But losing one set of possibilities must not be confused with losing all possibility. There is enormous wisdom in being able to say, “That future is gone,” without accidentally concluding, “There is nothing left here to value.”