Tomorrow Calls My Name marks a change that may look almost embarrassingly small after everything the album has endured.
He wants something.
That is the event.
Earlier recovery required action because life demanded it: walk the dog, answer the bill, leave the house, perform the next task.
Now the direction reverses.
For the first time, he begins demanding something from life.
A train catches his imagination.
He wants the rain against the window.
He wants the miles.
The importance lies not in Montreal. The destination could almost be anywhere.
What matters is desire.
“I am better” would still define him in relation to grief.
“I want” points toward a value.
Something that does not yet exist matters enough for him to act in order to obtain it.
That is the return of valuation.
But the choice is complicated because decades of decisions properly belonged to “we.” Choosing alone feels lonely and strangely disloyal.
The song does not solve that guilt by imagining his wife's permission.
“She would want me to” would still leave the dead spouse governing the living man's choices.
Instead, he reaches a stronger conclusion.
Their marriage does not become less valuable because he enjoys another day.
A new journey cannot revise their decades downward.
Continued suffering is not required as continuing proof of love.
So the album's future tense returns in a new form:
We will became we would have. Now comes: I will. Not the future they lost. A different future. Singular. Unwanted at first. But real. The future is no longer plural...
It is no longer empty either.
A life begins to return not when the old love matters less, but when something new begins to matter in its own right. The first honest “I want” after profound loss is not a betrayal of “we”; it is the surviving person discovering that the future can contain values that are additions rather than replacements. Moving forward does not require making the past smaller.